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Entries in Byzantine chant (7)

Monday
Oct312011

All Hallow's Eve

On my thirty-second Halloween, I thought a couple of weeks ago after reading this, I’ll finally have an appropriate response.

Growing up, many of the families in my conservative Evangelical circle did not celebrate Halloween at all.  They had “harvest parties” that, ironically, were probably more firmly rooted in paganism than the idea of a night when the demons gain a measure of independence from the power of the saints’ prayers.

Others, like mine, allowed trick-or-treating but shunned costumes that seemed to glorify death — no bloody-fanged vampires; hippies, cowboys, or even dice.  (This was my sister’s brainstorm: her head, with a black stocking cap, was the single dot.  As costumes go, it was pretty straightforward.)

Neither response seems exactly right, though.  How can you be a light to the world without marginalizing the traditions of our society (which, on the surface, have merit — on what other night will you spontaneously interact with so many neighborhood children?)

I like Steve’s idea because it allows people to participate in a lovely tradition without too much explanation or judgment.  I meant to borrow some supplies from the church yesterday, but amid the post-Liturgy chaos it slipped my mind.  So this afternoon I was a little grumpy until I remembered the jar of candles I keep in the icon corner, leftovers from special services like Pascha and memorials.  I liked the idea of these unknown children picking up where my prayers left off; what better way to connect with the people of my community?

I rustled around in the basement for a candle box, but after a little brainstorming, decided there really was no acceptable substitute for sand. (Topsoil? Pea gravel? Rock salt? All fall short for different reasons.)  So I headed over to Lowe’s to buy some — and lo and behold, found a half-empty bag that I could actually carry out.

It was a nice night, so I opened the windows and turned on The Rudder, a streaming radio station run by some friends in California.  It’s a wonderful variety of meditative and joyful Orthodox hymns from all different traditions, and I found that I enjoyed listening to it even in place of the silence I so treasure after a hectic day at school.  It was a little too cold to sit outside, so I settled for just inside the door, with my book and a slightly-alarmed cat (music and open windows are not standard operating procedure, and she knows this.)

Just after nightfall, they started to knock.  Following Steve’s lead, I offered each one a piece of candy and then asked, “Would you like to light a candle?”  Out of dozens of children, I only had one refusal all night — a shy adolescent who was alone.  The others were gleeful and full of questions.

“What is it?” some asked. “It’s like a prayer,” I responded, as simply as I could.  They understand prayer, I know.  In this mostly blue-collar neighborhood, black families are AME or Baptist; Latino means Catholic. The vast majority attend church; it’s the white families who don’t, and very few of those have children of trick-or-treating age.

Mostly, they were probably amazed that an adult was asking them to light something on fire.  Well, I’ll take what I can get.  Bigfoot removed her furry claws to grasp a beeswax taper, and Mario singed one of his white-gloved fingers.  A tiny bumblebee accepted my guiding hand over hers, and her mother was grateful: “That’s really nice,” she said.  “What a good idea.  That’s really something different.”  

They all said that, the adults: from the street, the steps, or — as is disturbingly more common — the car, which I suppose must be more efficient than searching for the next friendly house on foot.  “That’s different.”  That’s why it worked so well.

“Happy Halloween,” I said, over and over again, and behind me, a Russian deacon intoned his assent: “A-MIIIIIINNNNN!”

Tuesday
Jun282011

A Tale of Two Portraits: Part II

Welcome to the new Teacher | Children | Well!

This painting also came to me without my asking for it.  The story is much shorter and simpler, though: one day after a service, a gentleman from our church approached me and said he’d liked the image of me looking down at the music from the chanter’s stand at the front of the church.  Could he take some photos and create a portrait?

I was honored, but not surprised: I’m used to extraordinary and undeserved blessings pouring over me every time I open my mouth in the sanctuary. They began the moment I started learning to chant and haven’t stopped since, growing in fact more intense, almost unbearable, over the years.

Like so many profound experiences, this one had a prosaic beginning: I was lonely.  After two years at a soul-sucking school, during which I hardly had time for basic grooming, I was suddenly thrust into a normal working schedule. From nine to five I worked at a corporate job, and from five to nine I sat at home and wondered what to do with myself and my life.  I went out a little, with new friends and dates, but mostly I missed my old life, even the incredible stress that had at least kept me busy.

There was a deeper struggle, too, about faith (why had I been through that?) and vocation (what would happen next?) And both began to come together when my dearest friend agreed to teach me to chant.  I had heard the ethereal Byzantine melodies over and over, their haunting cadences and complex truths driving themselves right through me, and I wanted to be able to sing them too.

The strange thing is that, really, I didn’t have a nice voice before I learned to chant.  I could sing on key, thanks to my piano training, but it wasn’t beautiful.  I am sometimes shocked, even now, when I hear recordings of myself: who is that person? I wonder.  It is certainly not me; I could never do that.  And when I look at this portrait, I have a similar feeling – she is not me at all, but the person I wish I were, graceful, humble, consumed by infinite love.  I become her for fleeting snatches of time when I am wrapped in the beauty and power of an ancient hymn.  John caught her for a moment, but by the time I looked up, she was gone.

Only by forgetting ourselves can we ever become who we were created to be.  I find this in music, in art, and in this lowly space, where I plug away at the daunting task of expression because it is so intoxicating, every once in awhile, to have done it well.  Having just completed five hundred entries here, I wanted to celebrate with something new that would inspire me to continue creating; and in this portrait, I think I have found it.

Tuesday
Oct192010

Spell Choker

A couple of years ago, a student submitted a poem for publication in our school's literary magazine.  She had written it with misspellings, then allowed Spell Check to automatically choose replacements for her.  The result was one of the most brilliant satires in modern history: "How Spell Choker Ruined My High School Carrier."

My own Spell Check game is decidedly more toned-down, but it does provide endless amusement.  As I work on church bulletins, I enjoy seeing the program flail when faced with Orthodox proper nouns, usually Greek-rooted.  Here are some of my favorites. (Explanations follow for the Byzantine-challenged.)

  1. Theotokos: Textbooks

  2. Kathisma: Atheism (ouch) or Machismo

  3. Hypakoe: Hyperbole

  4. Paraklesis: Paralysis

  5. Kontakion: Contagion


Okay, maybe it's just sacrilegious and not funny at all to imagine the bulletin naming the Contagion for the Feast, or asking someone to chant the Second Machismo in Tone 4.  I did say it was my own game!

  1. Theotokos is the name given to Mary by the fifth-century Council of Ephesus, as a refutation of the heresy that Christ was not fully God while in her womb.

  2. A Kathisma is one of twenty divisions of the Psalter; different Kathisma are read each day of the week.  For instance, on Sunday, we read Kathisma 2 and 3, which constitutes Psalms 9 through 23.  Kathisma sometimes also refer to the hymns that precede the reading of Psalms.

  3. Commonly meaning "obedience," Hypakoe can also be translated as "hearing."  It's a hymn that celebrates some aspect of the Resurrection, corresponding with one of the eight musical tones.

  4. Paraklesis means "intercession" or "supplication." Ironically, the Paraklesis is a service in which we pray for healing, both spiritual and physical.

  5. A Kontakion is a type of hymn written for a specific feast or saint of the church year.  Its etymology is pretty fascinating: in ancient times, the hymns were written on very long scrolls and rolled around sticks for storage.  So Kontakion is a derivation of the word "kontos," meaning "oar."



Tuesday
Sep142010

Advice from the Top

A blessed Feast of the Cross to all, especially my brothers and sisters from Holy Cross.

Last night, after roughly 3 hours of church and roughly half an hour of celebrating, I saw our beloved bishop sitting alone for a moment.  I am ashamed to admit that it has taken many years for me to be able to appreciate his annual visits.  He is a wonderful, godly man, with a sense of humor to boot, but from a church musician's perspective, the presence of a hierarch means an almost-certain upsetting of the delicate balance and routine on which we thrive.  We think of a bishop's visit as a sort of ascetic discipline.  You know, the way no one ever looks forward to Lent, but by its end they are glad for having struggled?  Like that.

Somehow I must have matured a little, because this year, I was pleased to find I was looking forward to his coming.  And I was able to field every pop fly he hit in my direction (a Jersey native, I think he would probably appreciate the baseball analogy.)  Greek?  Arabic?  Slow chanting?  Fast chanting?  Tone 1?  Tone 5?  Psh!

So, when I saw him sitting alone last night, I summoned my courage and approached, asking his blessing and seeking his insight.  I knew he had been a classroom teacher before entering the ministry, and I wondered if he could give me some advice about the profession that seems to have chosen me.

"Teach with love," he said first.  "That's all you can do.  If your kids know you love them and you love your subject, if they can see you're passionate about what you do, that's everything."

He shook his head.  "Teaching is hard, though."  Then he went on to tell me something amazing.  You remember that movie, Lean on Me?  Morgan Freeman plays "Crazy Joe" Clark, a tough principal who takes on an even tougher crowd of misfits and delinquents.  He gets them to succeed academically and vocationally, and he wins their respect with a combination of steely determination and self-sacrificing love.

The movie was based on a true story: Eastside High School in Paterson, New Jersey.  Yep.  My bishop was a teacher there.  Actually, he taught there before Joe Clark came and turned the school around -- when it was frighteningly underfunded and out of control.

"I'll tell you what: teaching is hard," he said again.  "The hardest thing I've ever done.  Harder than being a priest or a bishop.  Harder than working in a factory or owning your own business.  It's exhausting and it's thankless.  But you have to stay excited about it.  You have to know how important it is."

Thank you, Sayedna, for reminding me again of the magnitude of the task before me.  May I somehow find the strength to do it justice.

Monday
Apr052010

Tonight's Top Stories

Our little church in Linthicum had a blaze of press coverage over the weekend.  This is unusual in a year when Western Easter and Eastern Pascha fell on the same Sunday, but we were happy for the publicity, which was very positive.

First, the Baltimore Sun's Anne Arundel County section featured a front-page shot of my husband, along with some other parishioners.  I was just to the left of the lens, in the choir.  (I was actually worried they might use one of the shots they took of me chanting -- my posture was terrible and I'm sure I would have caught some flack from my voice teacher about that!)

Both Rob and I are quoted extensively in the article.  I spoke for several hours with the reporter, both on the phone and in person after Vespers, and I think there was just too much information for him to put together a coherent narrative.  He also misspells my middle name (anyone who has gotten a personal e-mail from me knows that) and makes it sound like I'm a different person from Emily Lowe. But whaaaatever.  I'm happy to promote my church in any context.

Second, we got front-page billing (next to the giant headline about the slots) in the Maryland Gazette.  The online version doesn't show the photo, which is also great.  My husband's godfather is quoted in this one, but neither of us were there (it was the only Holy Week service I missed, actually -- trying to save my voice for the marathon weekend.)

That's all, unless you missed the TV spot last year, filmed on Lazarus Saturday; here's the post and the video.

It's so interesting, as a writer and an Orthodox Christian, to watch people try to make logical and journalistic sense of such a complex and mysterious faith.  The thing is, though I'm glad for the publicity and hope it drives seekers to investigate Orthodoxy, you just can't understand what we're all about by spending five minutes reading or watching a news blip.  Any issue worth debating can't be covered accurately and quickly, I suppose, but Orthodoxy is particularly visceral; a paragraph, photo or even video can't convey what the experience is like.  That's why the experience is one worth having.